I would hire Underwood Works to do all of my graphics and go there almost 2-3 times per week to proof the work that they would do. I would pay for my designs out of my paycheck from my job that I had working in downtown Oakland, CAon 22nd and Webster at Shared Medical Systems. When I would show up at Underwood Works, which would eventually become known as Phunky Phat Graph-X, I would meet niggas that would be trying to do the same thing as me and be independent and push their music out to the world.
I would meet Master P, JT the Bigga Figga, E-40, Rappin 4-Tay, Coco Quick, and a lot of cats who would go down to Phunky Phat to get their CD cover art work, posters, and other graphics work done by Phunky Phat Graph-X. I would go on to see first hand the work that was taken to build and grow No Limit Records that the world now knows today as earning and grossing over $250 Million dollars.
When we were all coming up though, nobody even dreamed of being able to make it up as high as No Limit has. Master P was struggling to get things together just as we all were. He was living up in Richmond, CA which is a crazy environment and even the record store that he had up there was in the cut. He and I also sold music to Ts Waiuzi Record Store in East Oakland near Eastmont Mall. Again, no one knew that people would blow up the way some folks did. The point is that everyone was striving and driving to move ahead regardless of their situation. We didn’t care if we didn’t have the
money or the banks wouldn’t loan us any cash to move our company’s ahead. We didn’t care if we didn’t have enough money to get the thing looking excellent from day one.
P rounded up his brothers and launched The Real Untouchables after a bullshit deal with Jason Blaine over at InaMinute Records up in Emeryville, CA. I knew Jason Blaine from a
function that Lachlan McIntyre, owner of 4080 Magazine threw in Berkeley. Lachlan was also trying to come up and created a hip-hop magazine that focused on hard core West Coast Hip Hop.
